Everlasting Faint
Madison Opera

Everlasting Faint

Company
Madison Opera
Year
2026

In 2024, Kathryn Smith at Madison Opera asked Keturah to come on board as dramaturg and stage director for the world premiere of “Everlasting Faint,” Scott Gendel’s first opera with a libretto by Sandra Flores-Strand. The opera is based on a true crime story from West Virginia in the late 19th century and involves the only known time that a ghost’s testimony was directly involved in convicting her killer.  The piece has everything Keturah loves in opera: deeply human drama, magical realism, and a good drinking song. The opera premiered in Madison in February of 2026 to terrific critical and audience response. With a beautiful, tuneful, Americana score, sweeping ensembles, and a killer ghost story, Keturah has great hope that the piece and production will have a life after the premiere.

Cast

Conductor – Stephanie Rhodes Russell
Andy Jones – Oliver Thornburgh
Martha Jones – Emily Birsan
Dr. George Knapp – Alan Dunbar
Trout Shue – Andrew Bidlack
Mary Heaster – Katherine Pracht
Elva Heaster Shue – Tori Tedeschi Adams
Allie Cutlip Shue – Madison Barrett
Lucy Tritt Shue – Alexandra Burch
John Preston – Matthew Treviño
Judge – Ryan White
James Gardner – Robert A. Goderich

Creative Team

Composer – Scott Gendel
Librettist – Sandra Flores-Strand
Scenic Designer – Court Watson
Costume Designer – Karen Brown-Larimore
Lighting Designer – Matt Taylor
Wigs and Makeup – Jan Ross

Photos by Ross Zentner

"It has been more than two decades since Madison Opera produced a premiere on this scale. The opera co-commissioned Jake Heggie’s “The End of the Affair” in 2004 and gained widespread acclaim with the Frank Lloyd Wright-inspired “Shining Brow” in 1993.  “Everlasting Faint” makes a third jewel in that crown. Antique lamps dangle like miniature chandeliers in the homes and courtrooms of late 19th century West Virginia, animated by Gendel’s lush, folk-inflected score. Only in opera does rage sound this beautiful."
Lindsay Christians, Cap Times
“Director Keturah Stickann, also the dramaturg, came onto this premiere early. Her work shaping the opera shows in the balance of high drama and quiet intimacy.”
Lindsay Christians, Cap Times
"“Everlasting Faint” closes on a call to action, echoing what Flores-Strand has seeded through the story. “Who will listen to the news of another slain girl?” Mary sings in Act I. The finale, led with visible emotion by Emily Birsan’s Martha, offers an answer: all of us. “We hear your words,” Martha sings, as the chorus joins and the stage backdrops lift. “We witness your pain. The future holds hope for you.” With a production this strong, the future holds hope for “Everlasting Faint” as well."
Lindsay Christians, Cap Times